Faig Ahmed at his solo exhibition
Sharjah, UAE
Photo by
Bernard Jouaret
Actual Tradition solo project | Kicik Qalart | Baku, Azerbaijan | 2012
Recycled Tradition, 2014
«Jejim» carpet from Karabakh Azerbaijan, early XIX century (about 1826–1828)


This artwork was born from the depth of the "transformed carpets" concept. Initially, I had done research analysing recycled culture. It was all very impersonal. I started to work four months before production to find the right carpet. What I needed was a 150 to 200-year-old carpet to be cut into the form of a "recycled" symbol.

I was shown different options, but there was only one that caught my attention. I wanted to start cutting it immediately after leaving the workshop, but the carpet seller asked me if I wanted to hear the story of the carpet first. He told me that there are gypsies who buy and resell old carpets. They suggested visiting an old woman in south Azerbaijan who had a beautiful old carpet in perfect condition. Initially, this woman rejected selling it, because she had inherited this carpet from her grandmother and it was the only thing she had taken with her from her father's house when she got married many years ago. This was a tradition in the old days in Azerbaijan.

This woman couldn't take anything from her home, because her parents were against her marriage and only her grandmother had supported her, giving her this carpet and helping her run away with her lover. After several visits and after she knew the carpet would be sold to an artist, she agreed to sell it.
I also discovered that this carpet was a Karabakh carpet, which is in another part of Azerbaijan. This lady wasn't able to go there anymore, because at the time, that territory was occupied by Armenia. So, when I took a cutting knife to cut the carpet, I couldn't do it. Suddenly, I realized that I'm also a hostage of tradition! This story's impact on me was so huge that I couldn't destroy this carpet with my own hands.

I then passed it to an art production company to prepare it for me and didn't tell them how old it was. After the work was done and Recycled Tradition was sent to Holland for the exhibition, I tried to find this lady. She had moved to another city, and that happened all of a sudden. I wanted to talk to her. I spoke to her on the telephone before it was processed and she told me that she wanted to see the result. Maybe she saw the artwork and doesn't want to talk to me anymore?


Exploring inwards, Aida Mahmudova and Faig Ahmed solo projects
Louise Blouin Foundation | London, UK | 2015
Pennsylvania College of Art & Design | Lancaster, USA | 2017

Nonvisual Language | The George Washington University Museum & Textile Museum Washington DC, USA | 2018
Photo by William Atkins
Faig Ahmed and Camille Ann Brewer (MFA, MLIS) Curator researching Shipibo Conibo textile from 17-19 century
George Washington University, Textile Collection from Storage
Washington DC, USA | 2018
Young man preparing for sacrifice ceremony and ceremonial musical instrument with secret pattern [ Icaros ] | Shipibo Conibo People of Amazonian Selva
Caco Macaya village, Peru | Images from Faig Ahmed's traveling archive | 2018