May 6—September 24, 2017

EKVATION (EQUATION)

Curated by Medeia Ekner

Textile Museum of Sweden
Borås, Sweden
LIMITLESS CRAFTS
Medeia Ekner
Faig Ahmed is known mostly for his unique way of transforming traditional Azerbaijani rugs into contemporary sculptural shapes. His method of deconstructing conventional patterns and symbols and reshaping them into original compositions often results in new, dramatic expressions. Oriental rugs are covered in symbols, the patterns of which form stories that are well anchored in a collective consciousness. These patterns include Buddhist and Muslim symbols and have greatly influenced European and Nordic mythology. Inspired by his visit to Sweden in Autumn 2016, he has explored and brought together Nordic and Oriental pattern traditions. The artist explores symbolic traditions and collective rituals and rules through experiments and in-depth studies.He exposes himself performatively and forces his body and psyche to new levels of consciousness where new identities arise. In his works, symbols are thus transformed. They are broken up, moved, conquered, destroyed, and this creates new stories.
The material used for the carpets in Equation is wool dyed with natural colors. The manager of the weaving studio in Baku, Ilgar Aliyev “travels anywhere to pick up stones and leaves from special trees,” Faig Ahmed has said. The weaving and tying techniques are several thousand years old. In the weaving studio where Faig Ahmed’s carpets are tied, both Ghiordes knot (also known as the Turkish knot) and Senna knot (also known as the Persian knot) are used. The site-specific work, which is placed in the middle of the exhibition hall has been tied with Senna knot. In old carpets, the warp is made by wool, the woof is often made of cotton and usually knitted with 100,000–150,000 knots per square meter.
Stylized figures from the area are, for example, human figures, dogs, and ropes, which can be seen in the work 10(–35). An ancient motive that has influenced European and Nordic mythology is the Tree of Life, or the Holy Tree, which symbolizes divine power and long, or eternal, life. This motif is seen in the work Speech of the Birds. With inspiration from his stay in Sweden in autumn 2016, Faig Ahmed has explored and linked Nordic and Oriental pattern traditions together. The cross, an ancient symbol, comes back in a number of pieces in the exhibition hall and the colors of the work Infinit Surface have got more Nordic characters.
"Equation" project
Photo by Jan Berg

Ekvation

Film by Neta Norrmo